Chitrangada: The Crowning Wish (2012) is a film by the late Rituparno Ghosh which brings out, in a very nuanced manner the biggest ontological dilemma and anxiety perhaps, of the transperson to the world of cisgenders, of being an anomaly and being at the receiving end of what can best be described as an elaborate cultural malaise – the need to have categories for everything, the urge to classify everything into desirable and undesirable, normal and deviant, acceptable and unacceptable.Chitrangada: The Crowning Wish 2012 full Movie Download.
Who is a transperson for a cis man or cis woman informed by normative heteropatriarchy? There is never much clarity on that. Are they people with ‘mixed genitalia’, i.e. intersex people, are they women trapped in men’s bodies and vice versa but then what do one actually mean by the phrase, ‘a woman trapped in a man’s body’ if both man and woman in the end are constructs?And this is precisely what the film explores.
The film shows the pain and the relative marginalisation of the protagonist Rudra Chatterjee who perhaps would be best to say, does not identify as a cisgender man. I say “relative marginalisation” as class plays a huge role in defining our identity and deciding our position in the societal ladder. Rudra clearly belongs to an upper middle class family and though his parents are not exactly happy with their ‘son’s’ trans-inclinations and “gender-different” personality, it wants us to infer that by the virtue of being upper caste and therefore by default at least middle class, Rudra is in a relatively advantageous position.Rudra has to explain or justify his disposition to fewer people. He faces lesser threat of social ostracism. Another thing that works to his advantage is his choreographer profile. Being an artist, he has considerable cultural clout.